how i film my bike rides like a movie — with the DJI Pocket 4P

TL;DR

• Gerrit Knein (cyclist/creator, DJI-sponsored video — disclosed on screen) shows his hands-free setup for filming road rides with the new DJI Osmo Pocket 4P, which just launched in Europe: gimbal-stabilized "cinema car shot" footage from a regular Sunday ride, no film crew.
• Why the 4P: two cameras in one pocketable body — a 20mm wide lens on a new 1-inch sensor (up to 17 stops dynamic range in D-Log 2) plus a 60mm portrait lens — plus internal storage (no more SD cards) and improved screw-on magnetic ND filters.
• The recipe: 4K/24fps at 1/50 shutter (180° rule for natural motion blur — possible on a gimbal, not on action cams), ISO 100 with ND filters, gimbal mode 2 (horizon lock) while riding vs FPV mode handheld; camera bar-mounted at roughly eye level via the battery adapter's 1/4" screw mount, DJI Mic 3 under the jersey for wind.
• Beyond riding shots: double-tap subject tracking (locks onto the bike itself), 3x-zoom "cinema" shots at stops, a pocket mini-tripod for static/slow-mo setups — he recreates a shot originally done with a cinema crew in Sierra Nevada.
• Grading: D-Log 2 → DJI's official conversion LUT to Rec.709 in DaVinci Resolve + Film Look Creator; a deliberately overexposed sunset clip recovers ~2+ stops cleanly. Verdict: for vloggers, travel creators, and parents who want quality without a production — "I found myself filming way more since I have it.".

Key moments

• [00:15] Hook — a tracking shot that "looks like it was filmed from a car with a cinema camera" was actually a mate riding hands-free with the Pocket 4P (frame_0001.jpg).
• [00:32] Origin story — started with the Pocket 3 in South Africa (frame_0007.jpg, sponsored-by-DJI disclosure on screen), refined the riding setup for half a year.
• [01:31] Why the 4P is different — two cameras: 20mm wide on a 1-inch sensor (17 stops DR, D-Log 2) + 60mm portrait lens (frame_0013.jpg).
• [02:34] The mount — battery adapter hides a 1/4" screw; action-cam adapter onto his bike mount, camera at eye level "because that's how I saw it" (frame_0017.jpg setup section).
• [03:14] Camera settings — 4K24, 1/50 shutter (180° rule works on a gimbal, unlike action cams), ISO 100, ND filters now screw+magnetic after losing the old magnetic ones.
• [04:05] Gimbal modes — mode 2 (horizon lock) while riding; FPV mode for handheld.
• [05:14] Audio — DJI Mic 3 under the jersey on windy rides.
• [06:16] The ride — 100-110k social ride with cake stop (German "Windbeutel"), tracking shots, canal-side riding (frame_0027.jpg, frame_0065.jpg); "this setup is for rides where you meet up with mates, not races."
• [07:51] Tracking demo — double-tap locks focus tracking onto the bike itself while he walks around it.
• [09:57] Cinema-crew recreation — mini tripod from his pocket, super-slow-mo drive-past recreating a Granada/Sierra Nevada crew shot.
• [12:09] Color grading — D-Log 2 → DJI conversion LUT → Rec.709 in DaVinci Resolve + Film Look Creator; recovering a 2+ stop overexposed sunset clip (or just use the Mimo app).
• [14:25] Who it's for — vloggers, travel creators, parents (frame_0071.jpg shows the playroom everyday-life montage); "the one camera that comes close to fitting all your needs."

Hook microscope (0-10s)

• Frames: 20 at 2 fps
• Word-level transcript (3 words):

  [  9.62s] Thanks
  [  9.66s] for
  [  9.68s] watching

Hook pattern: "this shot wasn't what you think" reveal. Opens on the payoff itself — a buttery stabilized tracking shot of a cyclist against golden fields (frame_0001.jpg) — then immediately subverts the assumption: "looks like it was filmed from a car with a cinema camera on a gimbal, but it wasn't. It was actually filmed by a mate of mine on a regular Sunday ride, hands-free." The proof-before-promise structure sells the whole video in one cut: the first ~15 seconds are the product demo, the words then explain the trick exists and is learnable, and a music-drop montage follows. Classic gear-creator reveal hook, executed with footage strong enough to carry it.

Editorial profile

• Shots: 80
• Cuts/min: 5.34
• Mean shot length: 11.24s
• Median shot length: 5.03s
• Talking-head ratio: n/a (opencv not installed)

Cinematic creator-vlog (~5 cuts/min): licensed-music montages of graded ride footage intercut with fisheye talking-to-camera segments, handwritten-style lower-third captions, chapter title cards ("why the 4P is different", "the ride"), and a screen-recorded DaVinci Resolve grading section — the footage itself is the sales pitch.

Quotable moments

• [00:15] "The shot you just saw looks like it was filmed from a car with a cinema camera on a gimbal — but it wasn't."
• [03:07] "I want the camera roughly to level my eyes, because that's how I saw it and that's how I want to remember it — make it look like it felt."
• [09:08] "…where the Pocket outperforms anything else you could have handheld on the bike."
• [11:11] "A small camera needs to be good enough that I'm not constantly wishing that I brought something else."
• [14:35] "I found myself filming way more since I have it."

Entities mentioned

• People: gerrit-knein (host), Adrian (riding mate in the graded clip)
• Companies: dji (video sponsor), blackmagic (DaVinci Resolve), pas-normal-studios (kit worn)
• Tools / products: dji-osmo-pocket-4p, dji-osmo-pocket-3, dji-mic-3, dji-mimo-app, davinci-resolve, film-look-creator, nd-filters
• Places: south-africa (origin of the setup), germany (the ride, Windbeutel cake stop), sierra-nevada-spain (recreated cinema shot)

Concepts surfaced

• 180-degree-shutter-rule: shutter speed = 2x frame rate (1/50 at 24fps) for natural, eye-like motion blur — viable on a stabilized gimbal where action cams can't afford it.
• gimbal-horizon-lock: gimbal mode 2 keeps the camera level with the horizon while the bike leans — the single biggest difference for ride footage vs handheld FPV mode.
• eye-level-framing: mount the camera where your eyes are — "document it, make it look like it felt."
• log-plus-lut-workflow: shoot D-Log 2 for maximum dynamic range, convert with the manufacturer's official LUT to Rec.709, then style on top — exposure mistakes become recoverable.
• quality-without-production: the sweet spot between action-cam convenience and cinema-camera quality; a camera good enough that you never wish you'd brought something else.
• everyday-carry-camera: the real justification isn't the spectacular use case but the mundane ones — the difficult scenario (riding) is proof, the daily moments are the payoff.

Transcript

Source: captions.

[00:16] The shot you just saw looks like it was filmed from a car with a cinema camera
[00:17] filmed from a car with a cinema camera on a gimbal, but it [music] wasn't. It
[00:20] on a gimbal, but it [music] wasn't. It was actually filmed by a mate of mine on
[00:22] was actually filmed by a mate of mine on a regular Sunday ride, handsfree
[00:24] a regular Sunday ride, handsfree with pocket four feet.
[00:27] with pocket four feet. This is probably the best for high
[00:28] This is probably the best for high quality [music] cycling footage without
[00:30] quality [music] cycling footage without turning a ride into a full production or
[00:32] turning a ride into a full production or settle for action cam looks. So I first
[00:34] settle for action cam looks. So I first started using [music] this setup with
[00:35] started using [music] this setup with the Pocket 3 in South Africa, then the
[00:37] the Pocket 3 in South Africa, then the Pocket 4. And I'm redefining this for
[00:40] Pocket 4. And I'm redefining this for half a year now to make this safe while
[00:42] half a year now to make this safe while riding because I always wondered how to
[00:43] riding because I always wondered how to use DJI's Pocket cameras handsfree on
[00:46] use DJI's Pocket cameras handsfree on the right as the gimbal is just made for
[00:48] the right as the gimbal is just made for it to have stable shots while riding.
[00:50] it to have stable shots while riding. And I use this setup for a lot of my
[00:52] And I use this setup for a lot of my YouTube videos actually already.
[00:59] >> [music] >> WHO GOT THE KEYS to the king of the hat?
[01:02] >> WHO GOT THE KEYS to the king of the hat? I'm about to go [music]
[01:04] I'm about to go [music] to blow the whole speaker. Ready, set,
[01:06] to blow the whole speaker. Ready, set, go. Now follow the leader. [music]
[01:09] go. Now follow the leader. [music] Looking at the main pizza, you can win.
[01:12] Looking at the main pizza, you can win. >> Pocket 4P just launched in Europe. So,
[01:14] >> Pocket 4P just launched in Europe. So, it feels like the perfect opportunity to
[01:16] it feels like the perfect opportunity to reveal you how I use the setup and why I
[01:18] reveal you how I use the setup and why I think the Pocket 4P is yet the smallest
[01:20] think the Pocket 4P is yet the smallest camera that fits all my needs. I need
[01:22] camera that fits all my needs. I need actually to filming my life. All right.
[01:24] actually to filming my life. All right. So, in today's video, we're going to
[01:25] So, in today's video, we're going to test it in the real world, right? So,
[01:27] test it in the real world, right? So, you can actually see how it turns out in
[01:28] you can actually see how it turns out in the footage. Let's have fun with it. But
[01:30] the footage. Let's have fun with it. But first, talk about why the Pocket 4P is
[01:32] first, talk about why the Pocket 4P is different. The main reason this camera
[01:33] different. The main reason this camera is interesting is the overall package.
[01:36] is interesting is the overall package. It is how many different jobs it can do
[01:38] It is how many different jobs it can do while being pocket- sized because now
[01:39] while being pocket- sized because now you actually do have two cameras. a 20
[01:42] you actually do have two cameras. a 20 mm lens for blogging, landscapes that
[01:45] mm lens for blogging, landscapes that makes everything feel like you saw it
[01:47] makes everything feel like you saw it with your own eyes. And a 60 mm lens for
[01:50] with your own eyes. And a 60 mm lens for portraits, details, and shots where you
[01:52] portraits, details, and shots where you want the subject to feel much more
[01:54] want the subject to feel much more separate from the background. Who knows
[01:55] separate from the background. Who knows me knows that I love quality. That's why
[01:58] me knows that I love quality. That's why I'm so hyped about the new 1 in sensor
[02:00] I'm so hyped about the new 1 in sensor behind the wide lens, which is the one
[02:02] behind the wide lens, which is the one I'm going to use the most. It has up to
[02:05] I'm going to use the most. It has up to 17 stops of dynamic range on a new DLO
[02:09] 17 stops of dynamic range on a new DLO 2. It's always a bit sus to me when I
[02:10] 2. It's always a bit sus to me when I hear numbers like that. But then on my
[02:12] hear numbers like that. But then on my first ride, I took it out at sunset and
[02:14] first ride, I took it out at sunset and filmed against [music] the sun.
[02:20] >> Who want to step the king ball? We're about to get it all from dust till the
[02:22] about to get it all from dust till the door.
[02:25] door. >> The biggest question that I always
[02:26] >> The biggest question that I always wanted to figure out is how to use this
[02:29] wanted to figure out is how to use this safely while riding as I knew when I
[02:31] safely while riding as I knew when I figured that gimbal plus a sensor makes
[02:33] figured that gimbal plus a sensor makes an image that's hard to chop. So, let me
[02:35] an image that's hard to chop. So, let me show you how I actually set this up.
[02:37] show you how I actually set this up. It's surprisingly simple. You just need
[02:38] It's surprisingly simple. You just need to switch some minor twists inside and
[02:40] to switch some minor twists inside and outside. So, I'm using the battery
[02:42] outside. So, I'm using the battery adapter because below there is a regular
[02:45] adapter because below there is a regular screw mount which I use with a basic
[02:47] screw mount which I use with a basic action cam one to one/3 screw mount
[02:50] action cam one to one/3 screw mount [music]
[02:50] [music] and then add this to my DJI mouth mount.
[02:53] and then add this to my DJI mouth mount. I know people do use the camera and
[02:55] I know people do use the camera and tried that on on helmets and other
[02:58] tried that on on helmets and other stuff, but I love the flexibility
[03:00] stuff, but I love the flexibility [music] to put this camera away and then
[03:02] [music] to put this camera away and then keep on riding regularly. And I also
[03:04] keep on riding regularly. And I also want the camera roughly to level my eyes
[03:07] want the camera roughly to level my eyes because that's how I saw it and that's
[03:09] because that's how I saw it and that's how I want to remember. That's how I
[03:11] how I want to remember. That's how I want to document it, make it look like
[03:13] want to document it, make it look like it felt. How to set up the camera
[03:14] it felt. How to set up the camera itself. I film mostly in 4K 24 [music]
[03:17] itself. I film mostly in 4K 24 [music] frames per second at 1 to 150 shutter
[03:20] frames per second at 1 to 150 shutter speed, which creates natural motion
[03:22] speed, which creates natural motion blur, especially on the bike riding fast
[03:24] blur, especially on the bike riding fast due to the 180° shutter rule. Just like
[03:27] due to the 180° shutter rule. Just like here, it [music] creates motion blur
[03:29] here, it [music] creates motion blur that looks just exactly how you see it
[03:32] that looks just exactly how you see it with your own eyes. So your shutter
[03:33] with your own eyes. So your shutter speed should always be double your frame
[03:35] speed should always be double your frame rate. On action cams this is not working
[03:37] rate. On action cams this is not working but on the pocket it is working as the
[03:39] but on the pocket it is working as the camera is stabilized itself [music] due
[03:41] camera is stabilized itself [music] due to this threeaxis gimbal. I mostly use a
[03:44] to this threeaxis gimbal. I mostly use a 1x lens which is the one supporting DLO
[03:47] 1x lens which is the one supporting DLO 2 and I try to aim ISO 100 for the best
[03:50] 2 and I try to aim ISO 100 for the best quality. That means when you shoot
[03:52] quality. That means when you shoot outside in sunlight you need an ND
[03:54] outside in sunlight you need an ND filter. I do really appreciate that the
[03:56] filter. I do really appreciate that the new ND filters are not just magnetically
[03:58] new ND filters are not just magnetically but also a bit like screwed on because I
[04:01] but also a bit like screwed on because I lost a few with those old versions on
[04:04] lost a few with those old versions on the pocket. And now the most important
[04:06] the pocket. And now the most important change [music] in camera for the gimbal
[04:08] change [music] in camera for the gimbal mode. I do use the second one which
[04:11] mode. I do use the second one which keeps [music] an horizontal balance. So
[04:13] keeps [music] an horizontal balance. So the camera is always in line with the
[04:15] the camera is always in line with the horizon. And this is the biggest
[04:16] horizon. And this is the biggest difference when it comes to filming
[04:18] difference when it comes to filming while riding compared to when you, I
[04:20] while riding compared to when you, I don't know, shoot handheld because then
[04:21] don't know, shoot handheld because then I use the FPV mode where the gimbal
[04:24] I use the FPV mode where the gimbal follows my camera. Now that we set up
[04:25] follows my camera. Now that we set up the camera, we can actually finally go
[04:28] the camera, we can actually finally go on a ride together. And probably some of
[04:30] on a ride together. And probably some of you will ask like, isn't it a bit too
[04:33] you will ask like, isn't it a bit too much of effort to take a bigger cam that
[04:35] much of effort to take a bigger cam that may be necessary for a bike ride? For
[04:37] may be necessary for a bike ride? For me, it was always the most fun to get
[04:39] me, it was always the most fun to get the best quality sweet spot while still,
[04:42] the best quality sweet spot while still, you know, enjoying the ride and not
[04:44] you know, enjoying the ride and not strapping a camera around me. And I feel
[04:45] strapping a camera around me. And I feel like this setup is it for me because I
[04:48] like this setup is it for me because I do enjoy the amazing footage we will
[04:49] do enjoy the amazing footage we will create today. The depth of field you
[04:51] create today. The depth of field you have. This setup is for rides like today
[04:53] have. This setup is for rides like today where you meet up with mates. I wouldn't
[04:56] where you meet up with mates. I wouldn't necessarily take this out on a race.
[04:58] necessarily take this out on a race. Today's menu is a 100k 110k ride. The
[05:01] Today's menu is a 100k 110k ride. The nearest climbs. So really just a sunny
[05:03] nearest climbs. So really just a sunny day out. Like the memories I create with
[05:05] day out. Like the memories I create with this setup. The quality spectacular.
[05:12] [music] It's yet again a windy day. So, having
[05:15] It's yet again a windy day. So, having my DJI Mic 3 below the jersey right
[05:18] my DJI Mic 3 below the jersey right here,
[05:20] here, otherwise you would never hear me.
[05:22] otherwise you would never hear me. [music]
[05:34] >> One of the things that do amaze me the most is how well the Pocket 4P performs
[05:37] most is how well the Pocket 4P performs in backlight situations. Let me show
[05:39] in backlight situations. Let me show you.
[05:46] your character. You're driving and they cut you off. The
[05:48] You're driving and they cut you off. The [music] strangest spills your coffee cup
[05:51] [music] strangest spills your coffee cup and it's hard. Babe, tell me what your
[05:54] and it's hard. Babe, tell me what your heart say.
[05:57] heart say. [music] Maybe we got it all wrong.
[06:16] >> the best thing about taking this camera with you on a ride is that I do think
[06:18] with you on a ride is that I do think that cycling vlog of course the cycling
[06:20] that cycling vlog of course the cycling part is important but sometimes there is
[06:22] part is important but sometimes there is stories you want to tell around the
[06:24] stories you want to tell around the actual ride which is for example us
[06:26] actual ride which is for example us stopping here at the local climb to do
[06:28] stopping here at the local climb to do like a cake break and then it's just top
[06:31] like a cake break and then it's just top tier to have such a good camera in your
[06:34] tier to have such a good camera in your pocket
[06:36] pocket [music]
[06:47] >> The reason we stopped here is because they have legendary. In Germany, we call
[06:49] they have legendary. In Germany, we call it vint. It's like a cake with ice.
[06:52] it vint. It's like a cake with ice. Puffy cake with ice. But look, it's like
[06:54] Puffy cake with ice. But look, it's like so over the top. It's like
[07:06] >> do something for the ladies. [music]
[07:12] One of the advantages as well is when I'm out, I think I think this camera is
[07:14] I'm out, I think I think this camera is capable of stopping the ride and then
[07:17] capable of stopping the ride and then actually do like a serious shot you
[07:19] actually do like a serious shot you would usually do on a cinema camera. I
[07:20] would usually do on a cinema camera. I haven't tried it. So, let's try it. I'm
[07:22] haven't tried it. So, let's try it. I'm going to do like a [music]
[07:33] >> I'm actually going to try one with the 3x zoom. So, I set up the camera in the
[07:35] 3x zoom. So, I set up the camera in the gimbal mode FPV. So the camera is always
[07:38] gimbal mode FPV. So the camera is always where I do aim the display at
[07:51] >> I can show you something else. The follow mode is like really strong. Even
[07:54] follow mode is like really strong. Even objects like my bike, it can easily like
[07:57] objects like my bike, it can easily like I just double tap and then it tracks the
[08:00] I just double tap and then it tracks the bike. It's so easy because I can walk
[08:02] bike. It's so easy because I can walk and it stays locked onto the bike.
[08:04] and it stays locked onto the bike. [music]
[08:04] [music] >> I'm on my own. I blame myself. I'm too
[08:08] >> I'm on my own. I blame myself. I'm too far gone. Can't save myself. [music]
[08:11] far gone. Can't save myself. [music] Now she's moved on.
[08:14] Now she's moved on. Not sorry. I'm not sorry. I'm on [music]
[08:18] Not sorry. I'm not sorry. I'm on [music] my own. I myself
[08:38] >> [music] >> If you run outside,
[08:41] >> If you run outside, [music]
[08:50] >> my favorite angle when I'm filming someone else handheld is like a bit
[08:54] someone else handheld is like a bit downwards.
[08:55] downwards. Oh, we're climbing now. Okay. It's a bit
[08:59] Oh, we're climbing now. Okay. It's a bit downwards angle from here. I think
[09:01] downwards angle from here. I think that's like an angle where you can see
[09:05] that's like an angle where you can see the speed. I mean, we're climbing now,
[09:06] the speed. I mean, we're climbing now, but usually where the pocket like
[09:08] but usually where the pocket like outperforms anything else you could have
[09:11] outperforms anything else you could have handheld on the bike.
[09:12] handheld on the bike. >> Now that it's over. Now [music] that
[09:15] >> Now that it's over. Now [music] that it's over
[09:21] now that it's over. [music] Now that it's over
[09:24] Now that it's over with all this [music and singing] false
[09:25] with all this [music and singing] false alarm
[09:28] alarm out of reach [music]
[09:31] out of reach [music] thought of moving on
[09:34] thought of moving on reminds me that I know I'm hot and cold
[09:36] reminds me that I know I'm hot and cold like I'm bipolar and [music] she said
[09:38] like I'm bipolar and [music] she said I'm like weather. [singing]
[09:42] I'm like weather. [singing] >> So the only thing I do put in my pocket
[09:44] >> So the only thing I do put in my pocket is a little tripod to switch out with a
[09:47] is a little tripod to switch out with a mouse mount when you want to have a
[09:48] mouse mount when you want to have a static shot. I do these rarely, but it's
[09:50] static shot. I do these rarely, but it's very convenient if you want to vlog in
[09:53] very convenient if you want to vlog in between and you're on your own, you want
[09:54] between and you're on your own, you want to place a camera somewhere, you just
[09:56] to place a camera somewhere, you just switch it that quick. And I want to
[09:57] switch it that quick. And I want to actually recreate a shot we did with a
[09:59] actually recreate a shot we did with a cinema crew in Granada in Sierra Nevada
[10:01] cinema crew in Granada in Sierra Nevada where we went like super slow-mo close
[10:03] where we went like super slow-mo close to the camera. So, I'm going to place a
[10:05] to the camera. So, I'm going to place a camera down there and then we're all
[10:06] camera down there and then we're all three going to ride past it and I'm
[10:09] three going to ride past it and I'm going to super slowmo it. Let's see if
[10:10] going to super slowmo it. Let's see if this works out.
[10:19] Right. and >> I do my best by [music] keeping my
[10:20] >> I do my best by [music] keeping my composure. [singing] I just have to
[10:22] composure. [singing] I just have to pretend that I don't want any closure.
[10:26] pretend that I don't want any closure. I'm [music] on my own. [singing] I blame
[10:28] I'm [music] on my own. [singing] I blame myself. I'm too far gone. Can't save
[10:32] myself. I'm too far gone. Can't save myself. Now [music] she's moved on.
[10:36] myself. Now [music] she's moved on. Not sorry. I'm not sorry. So, I spent
[10:40] Not sorry. I'm not sorry. So, I spent most of today using [music] the Pocket
[10:43] most of today using [music] the Pocket 4P in a fairly ridiculous and specific
[10:46] 4P in a fairly ridiculous and specific special scenario, but that's maybe not
[10:48] special scenario, but that's maybe not even why [music] it makes sense as an
[10:51] even why [music] it makes sense as an everyday camera. The cycling setup is
[10:52] everyday camera. The cycling setup is more real proof that [music] it can
[10:54] more real proof that [music] it can handle something difficult. I think the
[10:56] handle something difficult. I think the reason to actually own it and carry it
[10:58] reason to actually own it and carry it is for [music] all much simpler moments
[11:00] is for [music] all much simpler moments and the pure quality. I'm sure I can
[11:02] and the pure quality. I'm sure I can even replace this talking head shot by
[11:05] even replace this talking head shot by handhelding this camera and it would be
[11:07] handhelding this camera and it would be good enough to [music] actually just use
[11:09] good enough to [music] actually just use that one. So, a small camera needs to be
[11:11] that one. So, a small camera needs to be good enough that I'm not constantly
[11:13] good enough that I'm not constantly wishing that I brought something else.
[11:41] >> That [music] glass doesn't break. My voice doesn't shake.
[11:43] My voice doesn't shake. We're [music] talking cuz we want that.
[11:48] We're [music] talking cuz we want that. I swallow my pride.
[11:51] I swallow my pride. You acknowledge [music and singing] your
[11:52] You acknowledge [music and singing] your side.
[11:53] side. We're not acting out. I trust.
[12:04] Oh, [music] I know it's weird, but [music] I'm jealous of us.
[12:08] [music] I'm jealous of us. >> All right. All right. Let's proceed to
[12:09] >> All right. All right. Let's proceed to an very important part, which is color
[12:11] an very important part, which is color grading. Because when you actually
[12:13] grading. Because when you actually record in DLO [music] 2, it means you
[12:15] record in DLO [music] 2, it means you have to do the post-prouction. You don't
[12:17] have to do the post-prouction. You don't have to film in lock. You can even just
[12:18] have to film in lock. You can even just use the film tones, use it straight off
[12:21] use the film tones, use it straight off camera. But if you really want to get to
[12:23] camera. But if you really want to get to 17 stops of dynamic range and the most
[12:25] 17 stops of dynamic range and the most information in the image, you need to
[12:26] information in the image, you need to shoot in DLO 2. I'm going to show you my
[12:28] shoot in DLO 2. I'm going to show you my color grading process with this camera
[12:31] color grading process with this camera in Dainci Resolve and then also in the
[12:33] in Dainci Resolve and then also in the app. I do like that the Pocket 4P has
[12:37] app. I do like that the Pocket 4P has internal storage. The Pocket 3 didn't
[12:39] internal storage. The Pocket 3 didn't have it. Now you don't need SD cards
[12:41] have it. Now you don't need SD cards anymore. We will use a clip that we
[12:43] anymore. We will use a clip that we haven't used in the video yet. I find
[12:46] haven't used in the video yet. I find this clip very interesting as I did
[12:48] this clip very interesting as I did it up a bit. So, it's a clip of Adrian
[12:51] it up a bit. So, it's a clip of Adrian riding in sunset. For the part we are
[12:53] riding in sunset. For the part we are going to look at, I'm filming straight
[12:55] going to look at, I'm filming straight into the sunlight again. So, what I
[12:57] into the sunlight again. So, what I usually do is I do use DJI's official
[13:01] usually do is I do use DJI's official DJI conversion lot from DJI [music] lock
[13:03] DJI conversion lot from DJI [music] lock 2 to Rex 709.
[13:07] 2 to Rex 709. Then to give it a bit of a filmic look
[13:09] Then to give it a bit of a filmic look is I do use a film look creator and then
[13:11] is I do use a film look creator and then I have a note for white balance if
[13:13] I have a note for white balance if needed. And what you can see is that I
[13:15] needed. And what you can see is that I fairly overexposed this shot. But now
[13:17] fairly overexposed this shot. But now comes the crazy part. It looks unusable,
[13:20] comes the crazy part. It looks unusable, but due to the 17 stops of dynamic
[13:22] but due to the 17 stops of dynamic range, you can bring this down to a
[13:24] range, you can bring this down to a usable footage. So, we bring it down
[13:26] usable footage. So, we bring it down like two stops, two and a quarter, and
[13:28] like two stops, two and a quarter, and it still recovers the colors just
[13:31] it still recovers the colors just accurate. You can see the sky now. You
[13:34] accurate. You can see the sky now. You can do it even a bit more and and lift
[13:37] can do it even a bit more and and lift the shadows later. But let's let's keep
[13:38] the shadows later. But let's let's keep it easy and fairly simple. I just want
[13:40] it easy and fairly simple. I just want to show you how quick you can get to.
[13:48] Look at it. the sun flares. It's straight into
[13:51] the sun flares. It's straight into sunset and you can see Adrian just
[13:54] sunset and you can see Adrian just nicely but still have highlights in the
[13:56] nicely but still have highlights in the sky. If you don't want to use Dainci or
[13:58] sky. If you don't want to use Dainci or any other color grading software, you
[14:00] any other color grading software, you can also use the DJI Mimo app, color
[14:02] can also use the DJI Mimo app, color grade or export and then directly upload
[14:04] grade or export and then directly upload the footage.
[14:25] So, who is this camera for? I think it makes sense for people who care about
[14:27] makes sense for people who care about image quality, but you don't want to
[14:29] image quality, but you don't want to become everyday life full production.
[14:32] become everyday life full production. So, this can be vloggers, travel
[14:34] So, this can be vloggers, travel creators, parents. [music]
[14:36] creators, parents. [music] I found myself filming way more since I
[14:38] I found myself filming way more since I have it. You don't need to take various
[14:40] have it. You don't need to take various lenses, a big camera. [music] You just
[14:41] lenses, a big camera. [music] You just take it with you. It's really the camera
[14:43] take it with you. It's really the camera where I would say if you don't have one,
[14:45] where I would say if you don't have one, it's the one that comes [music] close to
[14:46] it's the one that comes [music] close to fitting all your needs. That's it for
[14:48] fitting all your needs. That's it for today. If you do have any specific
[14:50] today. If you do have any specific questions to the camera, to my settings,
[14:53] questions to the camera, to my settings, leave a comment and I'll try to cover
[14:55] leave a comment and I'll try to cover that in future videos. [music] Other
[14:56] that in future videos. [music] Other than that, thanks for tuning in. to you
[14:58] than that, thanks for tuning in. to you in the next one and take

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